12/27/2022 0 Comments Studio one recording software![]() ![]() ![]() This acts as a secondary arrangement page toggled by the click of a button which can store ideas that you want to keep that don’t currently fit into your song. The Song view for instance, is home to one of my favourite features: The Scratch pad. Studio One differs from many of its contemporaries in its virtuoso use of windows and multiple workflow options to navigate the various parts of the creative process. The new clip gain edit feature is a breeze to use and actually alters the waveform display relative to the changes you apply to the clip itself, which is both a novel and intuitive feature and really helps visualise gain staging and relative levels at mix. ![]() Being able to compose, track, notate, mix all in the same software and with minimal double handling is a definitely a coup. In order to export the score you will need a copy of Notion, PreSonus’ notation software which is included in the PreSonus Sphere subscription service, but I can see this being a particularly good workflow tool for the multi-disciplinary artist, film composer or songwriter looking to integrate session musicians into the fold. All the data from MIDI will appear in the score and vice versa. Quality stuff here.Ĭlip editing in Studio One 5, now features score view, perfect for musicians and composers who love to create in this format. The graphics on the UI itself also make it one of the most aesthetically pleasing VST’s I’ve worked with in recent times. While on the topic of instruments, Rotor, an emulation of a classic organ amplifier (that may or may not rhyme with Wesley) looks and sounds incredible, and is a picture perfect sonic representation of the fabled piece of gear. Safe to say that maintaining this phase correlation through the early stages of processing, makes for awesome peace of mind and better sounding stems at the instrument busses. ProEQ2 has received a linear phase high-pass filter, which is an awesome addition to a tool which is likely to see more use than almost anything on a mix. With Studio One 5.2, PreSonus look to have a landmark release on their hands in regards to their flagship recording software, continuing to straddle the line between stage and studio in effortless style, and with some powerful new features that are sure to appease both the drag and drop and linear schools of production workflow in equal measure.įirst point of call is PreSonus’ generously large native effects library, which has received a lot of love in this upgrade.Īnalog Delay now looks and sounds more analogue, both due to its new funky design and improved hardware modelling of analogue gear, which has been applied to a range of native effects across Version 5. What started as a sister piece to their ubiquitous and game changing StudioLive series of interfaces/mixers has over time, grown into a sophisticated recording software all of its own, with a powerful feature set and one of the smoothest and most intuitive workflows going. PreSonus have been in the DAW world for the past ten years, which by the standard of modern recording software officially makes them a veteran in the space at this point.Ĭatch up on all the latest music gear reviews here. Words by Sam McNiece Link Audio | Expect to pay: $599.99 ![]()
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